Text / Pan Jianbo
Very
glad to write this article by myself to speak a little superficial
understanding of the Chinese landscape painting, and discuss with
you.
Pan Jianbo | Shadows of old tree | 68x136cm| enjoyable
flowers and birds | 2013
Chinese
painting pays attention to the spirit of "harmony and beauty"，the
relationship between man and nature is harmonious and unified; The relation
between knowledge and behavior should be unified; the relation between emotion
and scene should be consistent. Therefore, "harmony" is a state of
nature and the best state of things, Yin and Yang are harmonious, and will have
the creation of things.
Pan Jianbo | Clear Lijiang River bank
| 68x136cm | freehand landscape | 2015
If the
composition of Chinese landscape painting is its image, the image is the
"shell" of Chinese landscape painting, the image is the deep
structure of Chinese landscape painting works, the image is
"visible", but "meaning" is "indefinite".
In the creation, how to solve the relationship between shape and meaning,
meaning and image, that is, to reflect the artistic accomplishment and
technical level of different painters, and also reflects the different
aesthetic purposes and value pursuit in the process of creation. The
relationship between form and meaning, ideas and images, often interact, it is
no longer a simple landscape painting "heavy form and light meaning",
not "have a hasty brush", but belongs to Mr.
Huang Binhong advocated that "most like and not like images of the real
painting", and between of the subjective and objective, technique and
style, the form of selection and application, which is permeated with vitality,
playing artistic conception, multilayer three-dimensional aesthetic space.
Pan Jianbo |
Verdant hills in Xishan | 68x136cm | freehand landscape | 2014
The
landscape to go beyond what is in sight, should go to see and thinking in
spirit. As Zong Bing's story tells us a simple truth, a landscape painter must
live a life of landscape. The landscape of life as Zong Bing said the four
words “dwell in the hills, drink in the valleys", in the
era of Zong Bing is where the hermit lives, "fishing in a gully", “dwell
in a hill”, this kind of attitude towards life, on behalf of the spirit
intention of a small group of people. They return to nature, feel
at peace with the world, from the yoke of fame and fortune, travel
around leisurely, trace to the habitat in mountain and valley, and got great
liberation, freedom and joy in it.
Pan Jianbo | Fine spring high cited | 68x136cm
| freehand landscape | 2013
Clear
the mind and watch the way, embrace the landscape, and the heart do searched queer
mountains and became deep meaning in mind. How deep is the meaning, how
wonderful is the cultural of the mind, it can be created Chinese landscape
painting profound abstruse wonderland.